Create Edit Decision Lists - EDLs - from Final Cut Pro X XML files. The EDLs conform to the CMX 3600 standard and can be used to bring your cut into post production systems like DaVinci Resolve, Smoke, etc.
What's an EDL?
New in EDL-X version 2.5.2
Display Color Space Information in EDLs.
Partial mutes of audio components are now reflected in EDLs.
Source channel info for clips with default roles and audio configurations.
EDL Footers show Project Modification Date
Limit displayed roles to audio component roles
New footers show the EDL list type (Strict, Single List without and with Video Track Numbers), EDL-X version and a date. If available in the XML, the date shown is the project's modification date, otherwise the time of processing in EDL-X.
This effectively suppresses default roles.
New in EDL-X version 2.5
Support for XML 1.6 from Final Cut Pro 10.3.
Updated support for Roles, including Role-Based Audio Components.
Show Audio Source Tracks and Channels in the EDL.
New EDL format: CMX 3600 Single List, with unlimited video and audio tracks.
- Video events can overlap each-other.
- Optionally, video tracks can have numbers.
- Audio tracks are numbered counting up, like this: A1, A2, A3... A19, etc.
- Video and audio events are not combined. (In strict lists a clip with Video and Audio 1 appears as 'B' in the EDL.)
- While EDL-X is not the only application to make Single List EDLs, compatibility with other software packages is not guaranteed.
Transform XML time values to decimal seconds and a quasi-time code.
Improved visual display of EDLs.
Drag and drop projects straight from FCP X 10.3 into EDL-X.
Audio events from media with certain audio configurations are combined into single events per source.
Streamlined internal processing due to new FCP XML format.
EDL-X remains compatible with XML from previous versions of Final Cut Pro.
If Role information is entered in Final Cut Pro the new XML format allows for audio source channel parsing.
Audio source clips with multiple channels can have multiple tracks, and each track can have multiple channels. In the EDL either channels or a combination of tracks and channels can be shown. Even a combination of these two options is possible.
This may be clarified by an example. Assuming an audio clip with 4 tracks of 2 channels each, the second track with its two channels can be listed in the EDL as:
|Source Tracks and Channels||
Strictly adhering to the CMX 3600 format, EDLs can have no more than one video track, and no more than four audio tracks. This means that separate EDLs have to be made when there is a need for more tracks.
Single List formats combine all events into a single list, no matter the number of tracks, like in this example:
The biggest differences between 'Single List' EDLs and 'Strict' EDLs are:
To increase human-readility of the XML displayed in EDL-X, more easily readable time values can be added to the text. For example, this XML snippet:
offset="38818400/9600s" gets converted to:
offset="38818400/9600s (01:07:23.583 - 4043.583)".
The original value represents seconds, expressed as a fraction. The first added value is a 'decimal seconds time code', where the the first 6 digits are the usual hours, minutes and seconds. The last three digits show a fraction of a second, expressed as a decimal number.
The last added value represents the number of seconds as a decimal number. Incidentally, Final Cut Pro can display this type of number in its user interface when you select Seconds for Time Display in the General Preferences.
Note that the decimal seconds are rounded to 3 post-decimal-point places. The transformed XML can be saved to a text file, and is still compatible with EDL-X.
Events in the list have alternating background colors for better readability.
Previously, for clips from media with multiple audio tracks each track was shown separately in the EDL, while clips from media with a single track and multiple channels were shown as single track in the EDL. In EDL-X v2.3 all audio channels from a clip, regardless of the track configuration, are treated as a single source.
Changes to FCP's XML format prompted changes in the internal workflows of EDL-X. Some of those changes require more processing than before, but also provided an opportunity to accelerate some of it.
- Role Filtering: control what footage is included based on Roles and Sub-Roles assigned in FCP X.
- List Effects including some parameters and keyframes.
- EDL-X groups all video and audio clips into as few tracks as possible. Using the 'CMX 3600 Strict' list format, each video track gets its own EDL, with synch audio in the same EDL.
- Flexible Source Reel Name handling:
- Source names can be read directly from the FCP XML file, or from the QuickTime files used in the project.
- Alternatively, media file names, or full file paths can be used.
- Source names can be made to conform to strict CMX standards (three numbers), or 8, 16, 32 or unlimited alpha-numerical characters.
- Each EDL includes a source table, allowing for easy tracking of any name conversions.
- All source names are user-editable, on a per-source basis.
- The Sources listed in the Sources Tab can be saved as tab-delimited text.
- EDLs can show metadata, including ASC CDL color grading information, like seen below.
- Drag and drop XML files to create EDLs.
- EDL-X supports reading source reel information from XML files exported from FCP X.
- Markers and Clip Notes can be reflected in EDLs.
- EDL-X can be used as a Share Destination straight from FCP X's Share menu. This means that an XML file doesn't have to be explicitly saved to disk any more, and sequences/cuts/projects can be made to EDL-X from FCP X in a single step.
- EDL-X now install a Final Cut Pro X Share Destination, so that XML can be sent directly to EDL-X.
- Using these two features, EDL-X can be set up to make and save EDLs in one single step, starting in Final Cut Pro X.
Here is a quick video introduction to EDL-X:
EDL-X v2 runs on Mac OS 10.10 and newer. It requires Final Cut Pro X to export your edited project as XML files.